Ned on machine:
Julia, it's me.
you can't just keep
not answering my messages.
I don't know how many
times this makes,
but I'll say it again,
I'm sorry.
I'm sorry
we had a fight,
but you know,
people fight.
if I wasn't
so totally crazed
thinking about you
every second...
look, look, pick up.
I know you're there.
you're there.
you've got to be.
I'm coming over.
greetings, o Julia.
just had
professor shapiro's
Shakespeare.
don't you hate
when teachers,
like, do the parts?
he got really into
Ophelia.
hey, what'd you
just erase?
oh, don't worry.
it wasn't for you.
is your arm
still hurting you?
you know what, Maggie?
I'm going home
for a couple of days.
you're going to miss
the finals review
in French?
so if anyone asks...
like ned?
yeah, um,
he's coming over,
so you don't know
where I've gone, ok?
sure, of course.
if you don't want me
to tell him,
I won't.
thanks.
just like
if you don't want
to talk to me
about what's
going on,
you don't have to.
with you and ned,
I mean.
I can't.
♪ Everybody wants to live ♪
♪ like they wanna live ♪
♪ and everybody
wants to love ♪
♪ like they wanna love ♪
♪ and everybody
wants to be ♪
♪ closer to free... ♪
♪ closer to free ♪
Ok, there we go.
can you imagine
being that small?
yeah.
I mean, no.
not--not that small.
neither can you.
you weren't even
that small
when you were born.
you remember?
god yeah.
I was in
high school.
I gave up
a whole weekend,
had 49ers tickets
and everything,
to babysit Bailey
and Julia,
'cause dad
had to keep running
back and forth
to the hospital.
Bailey was about 5.
he was the ultimate,
ultimate brat
to babysit.
ha ha. What are you
doing with those boxes?
just putting
them here for now.
Daphne left a bunch
of stuff in here.
I've got to pack
it up later.
I want it
to be ready
when she sends
for it all.
well, how do you know?
that she isn't just
coming back, I mean.
claud, that's--
that's way over,
me and Daphne.
end of story.
you know what?
let me pack up
her things for you.
it's got to be something
that you hate doing.
claud, uh,
thanks,
but, you know,
it's really not
a big job,
and I don't need
any help.
do you think Diana
knows something's
happened to her?
that her mother's left,
and--
probably isn't
a great question
to be asking
right now, huh?
I've been thinking
about it.
I don't think
she realizes.
I mean,
it's been a week,
and she seems ok.
hey, how long you
going to hang out?
don't you have
to get to school?
(Diana fusses)
ok, ok, ok.
all right. Fine.
ok, bye, di.
Shh. Shh. Shh.
Oh, hey.
ow. Hi.
hey. Here, let me
get those for you.
did you pull
your shoulder
or something?
no, I mean, yeah,
but, uh--
really? How?
I had an accident
on that service road
behind the dorm--
let me see.
something happen
to the car?
no, Griffin, don't.
forget it.
why? I've worked
on the old beast
a million times.
it didn't--you can't
even see it.
is it front or back?
Griffin,
would you stop--
stop trying to help
with everything.
well, that's not easy.
Julia, hey.
hey you.
what are you
doing home?
oh, I was, um,
just missing everybody.
where's ned?
I don't want to talk
about him, ok?
but how are you?
how's school?
everything's ok.
Sorry, everybody.
sorry I'm late.
whoa.
she's beautiful.
is she yours,
Mr. s?
nope. Nope.
just found her
on my doorstep.
Mr. salinger.
Ms. Walsh,
we're, uh,
just getting started
here.
new student?
(both laugh)
extremely.
I can, uh,
I can explain
about bringing her
to school with me.
I, uh, got my little
sister at home, too.
my--my little sister
and my little
brother,
and, uh--
and you're
a single parent.
teacher's lounge.
people talk.
yeah.
way too much.
can I show you
something?
Charlie:
day care?
used to be
the music room.
couple of the single
parents on the staff
chipped in
and set this up.
if you're
interested,
I can let you know
your share.
great, but, uh,
I'd rather not.
she's going through
this weird thing
right now.
doesn't want to be
left with strangers,
so I'd like to keep her
in the classroom with me,
if there aren't any rules
against that.
rules, no,
but the insurance
situation might be
kind of iffy.
see, this--
this day care stuff...
when you're
a single parent,
everybody figures
that you need
all kinds of help,
when--
actually, I know.
he's mine.
Andy.
I'm one of those
single parents
that I mentioned.
even the vice
principal
needs all the help
she can get.
we even have
a support group.
support group's
not exactly my...
cup of tea.
like day care.
so, is it going to be ok
if I keep her
in the room with me?
I'll see if we can
stretch a point.
ok, then.
I should, uh,
I should get back,
and, um, thanks,
Ms. Walsh.
Valerie.
ok.
Claud,
what's up with this?
it's for Owen.
he'll love it.
you know, now that
he's this big camper.
man, I can barely
fit in here anymore.
hey, char.
hey.
hey, claud.
hey, buddy.
who's the man?
hey, cool.
can I play in there?
Claudia: You can
sleep in here.
that's why I set
it up. Come on.
cool.
old times, huh?
yeah. Especially
with Julia home.
Julia's home?
is everything ok?
why wouldn't it be?
oh, no reason.
it's just, you know,
we're getting ready
to start finals,
but you're probably
on a different
schedule than us.
oh, no. Us, too,
but, um, I'd just rather
study here, that's all.
can I take
the little beauty?
yeah. Hee hee. Hi.
so, um,
how's he been?
well,
we had a great time
camping,
and he's mostly
over his cold.
that's not
what I'm asking.
well, I'm not
going to lie,
you've got your work
cut out for you.
he still mad
that I didn't
come get him?
he'll get over that,
right?
but...
maybe we should
make this regular,
me taking him.
you know, weekends.
a week.
I mean, how many plates
do you need spinning
in the air?
think I can't
swing it?
no, but do I think
it would be better
if you didn't have to?
yes, I do.
I got it covered,
bay.
Charlie...
Daphne left.
that's--whatever way
it went down,
you loved her,
you had a baby
with her,
and it's ok for you
to let it hurt,
but I don't see you
doing that, man.
I get that you're
concerned, bay,
but, uh...
but...
but let's just drop
the whole subject, right?
that's what I was
trying to tell him.
look, Charlie
just needs to think
he can do it all.
I read about it
in psych.
it's called
the Superman complex.
yeah, well,
it's also called
he's got to cut
himself some slack.
this won't
take a second.
I just have
to find the disk
that Arthur
put the accounts on.
then we can
get out of here.
do you see it
anywhere?
no.
must be
in the office.
just a sec.
Holy--
(sighs)
hey, sar.
Sarah, you're not
going to believe this.
somebody must've--
don't--don't move, man.
Bailey...
I'll hurt her, man.
I'll cut her.
you better not
try anything.
no. I'm not--
I'm not, ok?
look, here, take
anything you want. Here.
here's money.
take money.
put it on the bar.
ok.
ok. Here. My wallet.
here's my watch.
anything.
just, please.
get down on the ground.
get down on the ground!
you think I'm playing
with you? Get down!
ok. Please
don't hurt her.
get down.
don't hurt her.
take everything, ok?
get your face down.
put your face down.
get it down.
put it down.
put your face down
to the ground, damn it.
put it down.
(sobs)
give me this chain
before I cut your neck.
it's all right.
it's ok.
(sobs)
it's ok. It's ok.
he's gone.
Detective:
you're doing good.
you're remembering
a lot.
if you could give me
a little more
on this description,
it would help.
so far I have,
"white, maybe
hispanic,
about 22."
no. He was older
than that.
25, maybe.
no.
21 or 22. That's all.
Sarah, put yourself
there.
see it, if you know
what I mean.
it'll come to you.
Is that
where you were?
good.
Sarah, try to visualize
what he looked like.
um, he had a scar.
right here.
like a jagged one.
kind of short hair,
right?
short, dark hair.
skinny guy.
but he was strong.
I mean, he had
really strong arms--
it's ok.
that's good.
you'll come down
to the precinct later
and look at some
pictures.
I mean, you've seen
how they do it
in the movies, right?
meantime, Sarah...
call this number.
he's a doctor.
you know, a shrink.
he works with us.
he does a trauma
counseling thing
for victims
of violence.
thank you.
it would be great
if you caught this guy.
he was like an animal,
hiding around here
in the dark.
you know,
it wouldn't hurt
if you called
that number, too.
uh-huh, thanks.
think about it.
effects of something
like this creep up--
I said thanks.
now just find
this guy, ok?
it's what we do.
officer, I need you
to take this down for me.
that's great. That's
exactly what we need
is some new age cop.
some animal
holds a knife
to my girlfriend's
throat
and he's running around
out there free,
and he wants me
to get help.
Hey.
hi.
hi, you.
hi, beautiful.
how was school today,
you two?
aw, she was fine.
she flirted.
yeah. Ha ha ha.
she did.
hey, honey.
so, uh,
how are Bailey
and Sarah?
uh,
little in shock,
I think,
but ok.
nobody got hurt.
mmm.
something like that
sticks with you,
though.
this your office?
what are those?
oh, um,
(clears throat)
well, they're, uh,
sort of--
they're...what?
Charlie,
I have something
really important
to tell you.
I didn't
want to until
it was definite,
but...
they're adoption
papers.
Paul and I
are going to have
an adoption.
I mean, we're going
to have a baby.
we're going
to adopt.
Kirsten, that is--
that is great.
what happened?
I thought Paul
didn't want--
Paul wants me
to be happy.
that's what Paul
wants. It was his
idea,
and Charlie,
he's been amazing.
the baby's not even
here yet,
and already it's--
it's changing
everything.
oh.
hey.
I'm sorry.
what? What are you
sorry for?
just going on
about Paul and me.
I mean, I know
how things are
with you right now.
why is everybody
so sure
that I must be a mess
without Daphne?
Charlie, no,
I didn't mean--
Diana and I
got through it.
over is over,
and we're a family.
why can't people
just accept that?
'cause we care
about you.
'cause we want
to be sure.
well, we're fine.
we're fine.
Bailey.
Bailey, wake up.
did you hear
something?
what?
shh. Listen.
Sarah.
I'm sorry.
no, it's ok.
it's ok.
no, it's not.
I can't sleep.
I can't--i couldn't
even cross
from dwinnell hall
to the parking lot
tonight.
I still can't believe
any of this.
I can't even
walk around campus
without getting
all freaked out
inside.
I'm going to call
that number the cop
gave us.
I tell you
who I'm calling...
I'm thinking of putting
an armed security guy
in the restaurant.
I don't care
what it costs.
Bailey,
what are you--
right here.
this is where--
you know what?
there's nothing, ok?
nothing you
can see, anyway.
if that guy
had hurt you...
I can't even think about
what I would've done.
You want me
to pick you up
at school,
so you won't have
to walk around
in the dark?
I don't know.
I mean,
thanks,
but do you think
it makes sense?
I mean,
it's my school,
you know, my life.
I kind of have
to get through
without being scared
all the time.
Ok.
I haven't done this
in, like, forever,
so, you know,
bear with me
and keep your comments
to yourself.
here goes.
(guitar plays
no tomorrow)
ok, that wasn't me.
You know what?
this used to put Owen
right to sleep, so...
let me see.
(plays brahms' lullaby)
(guitar plays
no tomorrow)
you know what?
we'll just
ignore it, huh, di?
yeah. We'll ignore it.
(resumes lullaby)
oh, I know, I know.
it's ok. Shh. It's ok.
it's ok. I'll--
let's see.
let's try, um--
let's try...
(plays no tomorrow)
Yeah.
Well, that was...
intense.
fun.
Griffin, i--
I mean,
I kind of remembered
that you played,
but--
i--i haven't that much.
not for a while.
well, me neither,
but,
man, you are still
amazing.
so are you.
I got an idea.
it'll sound weird,
but, I mean,
some guys and I,
we just--we put
a band together,
and...you should
play with us.
me?
in a band?
yeah.
I don't know
what to say.
say you'll be there.
comfort food.
like, the ultimate.
jelly-filled,
regular glaze,
honey glaze.
don't even think
about which one's
the most fattening,
'cause they all are.
I haven't really
been eating
that much
since
the other night.
then it's time
you started. Milk.
here.
I haven't really
been sleeping
much either.
that's bad.
it's just--something
like this
I don't--i don't
know how to shake
it off.
well, you talk about it.
that's one thing.
you just have to.
it's not easy, though.
I mean, I know that.
I think I'm going
to see somebody,
a counselor,
to talk to.
'cause with Bailey,
I can't.
he just starts
going off on
what he'd do
to the guy
if he found him.
maybe that works
for him,
gets him through it,
you know?
he's a guy.
they turn everything
into the need
to smash something
or somebody.
but me...
what is it?
the guy...
he did a terrible
thing to me,
and yet,
I'm the one
who feels dirty.
you know, like I did
something wrong.
I'm the victim,
and I feel ashamed.
god,
actually ashamed.
does that even
make sense?
Ned:
what do you mean?
guys make great
babysitters.
Julia.
oh, hey, Julia.
I think Diana here
likes ned more than me.
ned.
come with me.
I want to talk to you.
um...
take him--her.
ok.
You hit me, ned.
nobody hits me.
hit you?
hold on.
no, you hold on.
that doesn't happen.
that is not
going to happen.
ok, so sometimes
we don't understand
each other.
like--like you
tell me something,
and I think
maybe you're lying
because I didn't
know about Richie,
and I didn't know
about your problems
with your dad,
but we talked.
we talked it out.
I mean, at least
that's what I thought
we were doing.
but now, suddenly,
when you don't
get your way
about some stupid
apartment you hit me?
I didn't hit you.
you didn't...
what?
Julia, I didn't
hit you.
that's not
what happened.
ned, that is--
I heard you.
now are you going
to hear me?
no, I don't
have to, ned.
not when you're
going to say something
totally insane.
like, you think
I don't know
what happened to me.
I got excited.
we got excited, ok?
that happened,
but that's all.
ok, I want you gone.
away from here.
away from Claudia
and Diana.
do you have any idea
how I felt
seeing you sitting there
with them?
what did you think?
that I was going
to do something
to your sister
and the baby?
come on.
I mean,
I know you're mad,
but are you
actually nuts?
me, nuts?
ned, you're the one
who went
absolutely crazy.
I didn't--
I'm not--
do you hear me
saying
that what I did
was right?
don't you think
I realize
that I totally
lost it?
that I got so
out of control
I hate myself?
I hate myself
for making you
feel like this.
what you did
was you hit me.
no.
I told you,
I lose control.
I get to where
I'm scared
I'm going
to lose you.
I got that "stupid"
apartment
so that we
could be together.
it was for us.
and I just
got frustrated
when you didn't
understand that,
and I thought
that you didn't
want it,
and that you didn't
want us
as much as I do.
I mean...
(sighs)
can't you see
that's all
I was trying--
ok, you said to listen,
and I listened.
now leave.
no, i--
my arm, ned.
I'm sorry.
ok, just leave.
leave.
that's all that happened
the other day.
same way.
you turned away,
I grabbed you,
to hold on,
so I wouldn't lose you.
just like that.
How could you think
I'd ever hit you?
(Playing no tomorrow)
(Mouthing silently)
Hate it when that happens.
what's up with you, man?
I, uh, I thought
we were rehearsing here.
um...oh, I'm sorry,
Griffin.
um...griffin said--
Cody, Heath,
this is Claudia.
she's gonna be, uh,
she's gonna be
joining us.
what, for, like, a song?
for as long
as she wants.
oh, cool.
string section.
yeah. Claud and I
worked this thing out
we want to play
for you guys.
whoa, griff,
can I talk to you
for a second, outside?
yeah.
(Door closes)
we never talked about
having a chick
in the band.
she's not a "chick," Cody.
right, right.
what, she's, like,
ex-kid-sister-in-law
or something?
she's a musician.
as good a musician
as any of us.
she's better than Heath.
she plays the violin,
man.
rock bands don't have
violinists.
that's right.
they have fiddle players.
ok.
i--i understand if you
have to baby-sit her
to earn your keep
or whatever, ok?
but make her a groupie
or something, all right?
or make her a roadie,
for all I care.
but this is our band.
wrong.
this is my band.
and right now,
I say that her fiddle
is part of it.
is that so?
well, let me tell you
something.
if the chick stays,
I go.
ok, then.
see ya.
Tell you frankly,
I'm not happy
with any of this.
these windows
are a no-brainer
for guys who know
what they're doing.
8 stories up?
the ledges
are like ladders.
plus they aren't lit.
that's like
an engraved invitation.
I can't believe you kids
have never had a break-in,
especially in this
neighborhood.
nope.
we've never had a break-in.
Sarah.
hey.
Sarah, this is ray scopetta.
scopetta security.
Mr. scopetta, um,
we like this neighborhood.
it's a great neighborhood.
I mean,
everybody wants to live
south of market.
translation:
it means you get
a lot of yuppies--
no offense--
none taken.
we're not yuppies.
moving
to what used to be
the poor part of town.
meaning you get
people with money
right next to people
with no money.
that adds up
like 2 plus 2.
you get high crime.
and here are you two
with no bars
on the windows,
no guard dog...
Bailey, why is Mr. scopetta
talking about guard dogs?
he's making this place
safe for us, Sarah.
Ray's already working
on the restaurant.
he's wired an alarm
behind the bar
that goes straight
to the police station.
that's not a terrible idea
for this place either.
uh, no. I mean, you can do
whatever you want
to the restaurant,
but I am not gonna live here
as if it were a--
you're gonna say
armed fortress, right?
I can always
hear that one coming,
and it's usually
the woman,
which is a funny thing
because it's usually
the woman that,
god forbid, gets hurt.
wait.
guns?
Bailey.
Sarah,
ray just brought those.
no, no. I just wanted
Mr. salinger
to be able to see
some different options.
I'm looking into
whatever's going
to keep us safe.
like buying a gun?
you know what? Uh...
I've given you a couple
different ways to go.
uh, why don't
you two talk?
ok. Thanks.
I'll see you
at the restaurant.
mm-hmm.
That's great.
thank you--
thank you so much.
ok. We'll see you then.
hi.
mmm.
ohh...
how was your day?
not as tough as yours
by the looks of it.
I know. I'm sorry.
but the good news is,
we have an adoption agency
pre-screen
first thing Wednesday,
and then there'll be
an at-home visit--what?
what's wrong?
uh...
honey, I'm sorry.
it just--i can't.
you--
you can't?
no. I--
no, wait.
it's ok.
you know what?
it's--it's--it's ok.
no, it is.
it's--
it's good that
you're telling me now.
that's what I figured.
because this is--
this is huge.
this is a huge part
of both of our lives.
ok, it was your idea.
you said let's adopt.
but that was you
trying--
trying to make me happy
because you love me.
even though it wasn't
really what you wanted,
and now you realize
it's just something
that you can't do.
Paul, what?
Kirsten--
I'm going to be ok
with this, really.
I can't on Wednesday.
I have surgery.
oh.
ohh!
but Thursday
would be perfect.
really.
really?
(laughs)
Claud.
hey.
is Diana asleep?
huh?
yeah, she's...
she's out cold.
listen,
I called Bailey,
you know,
to check on him.
he says he's ok,
but...
I don't know.
I mean, being robbed
like that just--
it seems so...
you want to tell me
what you're doing?
these are, uh,
these are Daphne's things.
I'm well aware of that.
I just thought,
well, you know,
didn't have
anything else
but homework to do,
so might as well
make myself useful.
well, useful would be
listening to what I say
and respecting that.
I said this wasn't a big job,
and I don't need any help.
it's not about being
a big job, Charlie.
it's about you
having to look
at her things.
I mean, that's...
that's got to be tough.
I got it covered,
all right?
yeah.
so you can just...
ok.
um, just see, now,
I was putting, like,
jeans and shirts
kind of in this box--
I've got it.
Hey.
hey.
you don't actually think
we're going to be able
to go to sleep
without talking
about this, do you?
who said I'm gonna sleep?
I don't even know
what that's like anymore.
I just sort of...
shut my eyes
and see things
that I don't want to see.
me, too.
you're not
the only one
that was scared
out of their mind
the other night, Sarah.
I had to stand there,
feeling completely
helpless,
like there wasn't
anything I could do
to help you--
not one thing.
and I never
want to feel that way
ever again.
so I want to do
something about it.
well, I'm doing something.
I saw that counselor today,
like I wish you would.
no. That's not
what I meant.
what I meant is,
something practical.
like something
to make us feel safer
here in the loft.
do you think
buying a gun
is gonna make us
feel safer?
Sarah, you've said so
yourself--
sometimes you feel scared
walking around here.
no, not sometimes.
all the time.
since the other night,
Bailey,
all the time,
but what do you
want me to do about it?
do you want me
to put up walls
between us
and the people
who live around us?
well, all I'm saying is,
it's irresponsible.
it's irresponsible of me
to live down here,
south of market,
with you coming and going
at all hours,
and not have the means
to protect ourselves.
we've got to be adult
about this.
if you think
buying a gun
is going to make you
an adult or responsible,
then I don't know
what happened to you
or who you've become.
I haven't become anything.
listen to me.
Bailey--
that night, if we had
gone by the restaurant
an hour earlier,
and we could have, Sarah,
we'd have had Owen
with us.
have you thought
about that?
have you thought about
what might have happened?
(Telephone rings)
hello.
yes, this is he.
you what?
you did?
that's great.
Bailey, what is it?
yes, of course
we can do that.
10 A.M.
and thank you.
thank you.
they found him.
Wait until they're all in,
taken their places.
all right, Henry, line them up.
and separate those last two.
you know what to do,
gentlemen.
now, we have all day,
so don't speak
until you're sure.
I don't have to
take all day.
that's him.
you sure?
number?
Sarah: 4.
4 is him.
each of you,
separately and distinctly?
yeah, it's 4.
all right.
thank you both.
hold 4.
dismiss the rest.
you're finished.
there's some paperwork.
I'll get it ready.
look at him.
he knows he's cooked.
you are cooked, guy!
Come on. Hey.
hey.
it's gonna be
better now.
you know?
it'll be better.
yeah, we said that,
didn't we?
that we were gonna
feel better
when they found him.
yeah, we did.
You busy?
hey.
oh, hey.
come on in.
I want to play
something for you.
wait. Before you, uh,
before you start...
Griffin, I...
I don't know.
I just--
I don't think
this whole band thing
is gonna work out for me.
what?
why not?
first of all,
we definitely have
different sensibilities.
I mean,
everybody knows that...
rock bands, they don't exactly
have violinists.
Cody tell you that?
no.
ok, maybe I overheard
you guys a little, but...
you know, I really don't
want to break up the band,
Griffin.
you guys, you really
have something together,
and Cody is...
well, he's a good bass player.
he's a great
bass player, actually.
as much as I love
playing with you, I...
Griffin, if you're doing this
'cause you feel like
you have to baby-sit me...
wh...
I'm not.
that's not it.
then I don't get it.
I mean, why?
why would you
kick Cody out of the band
instead of me?
I like the way
you play the violin.
you mean the fiddle.
oh, yeah.
I mean the fiddle.
(laughs)
(crashing and banging)
(loud crash)
(Crashing and banging)
(crashing and banging)
hello?
who's down there?
it's ok.
it's just me.
Charlie, what are you--
are you all right?
just go back to bed.
I'm ok.
I'm coming down, Charlie.
Charlie.
when you want people
to stay,
then they leave you.
when you want people
to go away...
yeah, life's funny.
Charlie,
you're scaring me.
how...
how can a mother
just walk out
on her baby, jule?
how could somebody do that?
I don't know.
I can't answer that.
ok, I mean,
I know it's hard
to take care of people,
even when you love them.
god, do I know that.
but you don't just--
you don't just leave!
you see,
you wouldn't know,
'cause you don't leave.
that's not who you are.
Julia--
but Daphne is Daphne,
and maybe when she
thinks about it, then--
no. Daphne is gone.
(sighs)
I'm sorry.
you're apologizing?
what are you
apologizing for?
I just...
lost it.
'cause it, you know,
hit me that...
that I'm alone.
it's ok, Charlie.
Ok, she-she's gone.
so then,
now you've got to
think about
what's important.
Diana is important.
(sniffles)
and you.
your life--
Charlie, god, it...
you gotta remember,
you almost weren't here.
be important
to yourself, Charlie.
I mean, wh-where
would we be?
and you're not alone.
you're never alone, ok?
ok.
♪ The telephone rings ♪
♪ like a silent call ♪
♪ I watch your ship crash ♪
♪ on the rocks below ♪
♪ I guess I knew
deep down inside of my soul ♪
♪ that days like these ♪
are you gonna tell me
what's happening
with you guys?
are you just
going through something,
or is it over...
I don't know.
I thought I knew, but...
I don't.
So, we'll get
the new hook-ups
on all the windows
and the door.
nothing fancy.
you know, just...
new locks.
Sarah.
are you listening
to me?
so, they've arrested
this one guy.
no.
he has a name now.
Albert Terry.
and detective danner
said there's at least
3 other crimes
they're looking
at him for.
so we're suddenly safer?
is that what
that's supposed to mean?
it means...
that the person
that hurt you...
that person
can't hurt you--
or anyone--
for a long time.
and we'll go to court
like the detective said
and see to that.
it means
we're not helpless.
and that's
a good feeling
right there, you know?
that's just it, Bailey.
I don't know.
I look out the window--
whether there's locks
on them or not...
you know, whether
there's an Albert Terry
out there or not,
and I don't see
the same world anymore.
you're shaking.
yeah, look at that.
Come on.
let's go to bed.
♪ they come and go ♪
♪ like secrets
between enemies ♪
♪ they come and go ♪
♪ and sometimes
it takes so long ♪
♪ that I just don't know ♪